Showing posts with label 31 Days of Halloween. Show all posts
Showing posts with label 31 Days of Halloween. Show all posts

Saturday, October 31, 2015

31 Days of Halloween: The Big Day

Here we are.

I've somehow managed to make thirty-one different posts about Halloween, horror, the supernatural, and related subjects.

But now I want to tell you about my personal thoughts about Halloween. It's my favorite time of the year. Not because it's got a somewhat morbid reputation (it does), and I've got a somewhat morbid personality (I do). Not because it's the time of year when the veil between the worlds is thinnest and the dead come to haunt the living (in my religion, that comes in late December, around Yule - think "A Christmas Carol" with its ghosts).

I love this time of year because it's a time of year when you can really indulge yourself. Not just physically, gorging on candy (although I certainly will do so), but those impulse that are frowned upon during the rest of the year can be explored. Want to dress up like a sexy witch? Nobody will bat an eye. Want to festoon skulls, demons, and zombies around your house? You might win a neighborhood contest. Want an excuse to have a house full of people get drunk in costume? That's practically a given. There's merriment, and good-natured frights, and nostalgia from childhood memories of trick-or-treat. It's like Christmas, without the pressure of gift-giving.

So, my friends, have a wonderful holiday. And with that, I leave you with this precious little earwig. Happy Halloween. Muahahaha...

Friday, October 30, 2015

31 Days of Halloween: One last trip to the grooveyard of forgotten hits

Ah, Halloween Eve.

Mischief Night.

Devil's Night.

Hell Night.

While I'm off wandering the neighborhood tonight, taking pics of neighborhood hooligans vandalizing homes, and making sure they steer clear of my street, I'll have a few tunes in my Discman.

Yes, I still have a Discman. What, did you think I still had a Walkman? (Well, I do, but not for tonight...)




Note the Lovecraftian lyrics in this one...


This song inspired one of my tattoos...


More Lovecraftian goodness in the lyrics here...

Thursday, October 29, 2015

31 Days of Halloween: The Addams'

I'm a huge fan of the Addams Family, and the cartoons of Charles Addams in particular. From the 1960's television show starring John Astin and Carolyn Jones:



...to the two wonderful movies starring Raul Julia as Gomez and Angelica Huston as Morticia...



...to the 1992 cartoon (also starring John Astin as the voice of Gomez)...



...there's just something wonderfully compelling about this family who does exactly what they want, the way they want to do it, without any regard for what the rest of the world thinks.

The original one-panel cartoons were of course the genesis for this phenomena:




The Addams Family was so popular and hit such a place in the public consciousness that it was even parodied in the Flintstones!


Wednesday, October 28, 2015

31 Days of Halloween: Memento Mori

Today, the memento mori, a genre of art and music that spans history from the Middle Ages through today. It was particularly in vogue in times when death was of particular concern to people; during the Black Death, for example, or in Puritan times. It was also said that the phrase "memento mori"-- which means "remember you are mortal"-- was repeated by a servant to Roman generals receiving a triumph. They often consisted of depictions of Death personified as a skeleton, skulls and bones in general, and images related to time, such as hour glasses.








Tuesday, October 27, 2015

31 Days of Halloween: War of the Worlds

On this date in 1938, many parts of the country were thrown into a panic by a broadcast of an adaptation of H.G. Wells' novel The War of the Worlds. Orson Welles produced the adaptation for the Mercury Theater of the Air, framed as a series of fictional news bulletins simulating an invasion of the Earth by invaders from Mars.

People have debated for decades just why the country was so willing to be fooled by the broadcast, and the question of whether or not Welles had an inkling of what would happen was never answered. It is certain that he denied it at a later Congressional hearing, but in subsequent interviews he answered the question rather coyly, implying that he might have known what could happen.

Here is the 1938 broadcast, in its entirety:

Monday, October 26, 2015

31 Days of Halloween: Creepy Cartoons

Just a few selections of creepy cartoons, spooky silly symphonies, and alarming animation.

For those who aren't aware, that last one comes from the Groovy Goolies, which was a horror-comedy themed Archie cartoons in the 70's. I personally thought it was a lot more interesting (I was also 8, which might have something to do with it), but the Groovie Goolies never had a pop hit single like "Sugar, Sugar", so they never really caught on. Alas...








Sunday, October 25, 2015

31 Days of Halloween: A little more music

Hello again, kiddies! Here's another selection from the grooveyard of forgotten hits...







Saturday, October 24, 2015

31 Days of Halloween: Lovecraft Films

It's well-known that H.P. Lovecraft is one of the fathers of modern horror - the "weird tale" as he would have put it. Many people also know about modern films such as Dagon, Re-Animator, In the Mouth of Madness, and others. But many don't know about the wonderful H.P. Lovecraft Historical Society, which for years has been producing faithful adaptations of many of Lovecraft's works, and for the most part these films are much, much better than their Hollywood counterparts.

For my money, the best adaptation of a Lovecraft film is The Call of Cthulhu, a silent film done by the HPLHS. It's a faithful adaptation of both the story and the period in which Lovecraft was writing. It's done as if it was done while Lovecraft was still alive, and it works beautifully.



There are also several other Lovecraft films to be had, such as the Whisperer in the Darkness:



In addition, the H.P. Lovecraft Film Festival has been going on in Seattle for many years, and they've put some of the films (both features and shorts) on DVD. Most of these have been available on Netflix, which is where I saw them, and they are every bit as good as anything you'll see in a theater.












Friday, October 23, 2015

31 Days of Halloween: Haunted Houses

Not real haunted houses, but "haunted house" amusement attractions, proliferate every year around this time. Some are intended to be frightening, some are intended to be funny, all are definitely a Halloween tradition.

Here are three of the best...

Knotts Scary Farm (CA)



Paranoia Haunted House (GA)



Thornhill Woods Haunted House (ON)


Thursday, October 22, 2015

31 Days of Halloween: Horror Comics

Back in the day, there were dozens of horror comics in stores, with most mediocre artwork and stories that were formulaic. But they had a certain perverse charm, and formed a vibrant sub-culture within comic books, until they were largely banned thanks to a sensationalist book "The Seduction of the Innocent" which basically blamed every social ill from juvenile delinquency to tooth decay on kids' reading horror comics. Today, they're making a comeback. Come with me now, kiddies, and see what lies within the...









Wednesday, October 21, 2015

31 Days of Halloween: Aurora Models

When I was a kid, kids made model kits. You know, those plastic model kits that were either snapped or glued together, and maybe painted. There were cars, and planes, and tanks, and... monsters.

I remember asking my dad to read me the Aurora model catalog, and when he got to "the forgotten prisoner of Castle L'amere", which was at the end, he'd always do it in a scary voice. :-)

Also, my only memory of our cruise around the Caribbean was one shore visit where we went into a toy store and I got the Godzilla model. With the glow-in-the-dark head. I was in heaven.

(Click to embiggen all of the images, as usual.)


Naturally, they advertised in horror comics like Creepy and Eerie.










Tuesday, October 20, 2015

31 Days of Halloween: 80's Horror Videos

As a child of the 80's myself, MTV was a part of my life. And some of those videos, especially around Halloween, made an impression. Here are just a few samples with that old Halloween feel...

Eddy Money plays with the vampire theme in "I Think I'm in Love"



Michael Jackson's famous short film, "Thriller" (featuring Vincent Price!)



Huey Lewis and the News "Doing it all for my Baby"



And how could I not mention Ozzy Osbourne, the Prince of Darkness himself? This time doing "Bark at the Moon"


Monday, October 19, 2015

31 Days of Halloween: Vincent Price

If pressed to name a single actor who just means "horror movie" in my mind, it would be Vincent Price (with Christopher Lee and Peter Cushing close behind). He was just so versatile within the genre, it's almost difficult to appreciate just how many facets he was able to demonstrate, yet still remain true to the horror film.

While he is mostly known for being urbane and gentlemanly (and that would be his default character mode for his career), he could still present an air of menace with little more than a glance or sneer. He could switch in one moment from a rather foppish gentleman into a leering depraved maniac (House of Wax). He was also noted for his adaptations of Poe works (House of Usher, the Raven, etc.).

His aptitude for comedy was enormous, and even when he was playing a straight role, as in House on Haunted Hill, his comedic asides were essential in breaking the unrelenting tension and setting up even greater tension later. That comedic timing served him well in his various other roles as well, but he could do flat-out comedy excellently (such as in The Comedy of Terrors, with the absolutely hilarious Peter Lorre).



Plus he could reach outside of the horror genre into action/comedy (playing the villainous Egghead in Batman) and of course straight theatrical roles, playing Cardinal Richelieu in an adaptation of the Three Musketeers, and Bakka the Master Builder in the Ten Commandments.

He could even go for an entire film without speaking (the two Doctor Phibes films, wherein Price acted entirely in pantomime, save for some voice-over work that was as absurd as it was creepy). He defined the "maniac killing people in bizarre ways" genre, and in his way set the stage with Phibes and Theater of Blood, wherein he played the scorned actor Lionheart, killing people according to the model set forth in Shakespeare's plays. I would argue there would have been no 80's slasher movie craze without those groundbreaking efforts.



What many don't know is that he was a gourmet cook, and accomplished art critic and collector (he had a teaching job in art history, and wrote several books on the subject). All in all, a terrific actor, and one who really does define the horror film genre.

Sunday, October 18, 2015

31 Days of Halloween: The Raven

From the inimitable Edgar Allen Poe.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
    While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
            Only this and nothing more.”

    Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
    Eagerly I wished the morrow;—vainly I had sought to borrow
    From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
            Nameless here for evermore.

    And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
    So that now, to still the beating of my heart, I stood repeating
    “’Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
            This it is and nothing more.”

    Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
    But the fact is I was napping, and so gently you came rapping,
    And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you”—here I opened wide the door;—
            Darkness there and nothing more.

    Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
    But the silence was unbroken, and the stillness gave no token,
    And the only word there spoken was the whispered word, “Lenore?”
This I whispered, and an echo murmured back the word, “Lenore!”—
            Merely this and nothing more.

    Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
    “Surely,” said I, “surely that is something at my window lattice;
      Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
            ’Tis the wind and nothing more!”

    Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
    Not the least obeisance made he; not a minute stopped or stayed he;
    But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
            Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night’s Plutonian shore!”
            Quoth the Raven “Nevermore.”

    Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
    For we cannot help agreeing that no living human being
    Ever yet was blessed with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
            With such name as “Nevermore.”

    But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
    Nothing farther then he uttered—not a feather then he fluttered—
    Till I scarcely more than muttered “Other friends have flown before—
On the morrow he will leave me, as my Hopes have flown before.”
            Then the bird said “Nevermore.”

    Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
    Caught from some unhappy master whom unmerciful Disaster
    Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
            Of ‘Never—nevermore’.”

    But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
    Then, upon the velvet sinking, I betook myself to linking
    Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
            Meant in croaking “Nevermore.”

    This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom’s core;
    This and more I sat divining, with my head at ease reclining
    On the cushion’s velvet lining that the lamp-light gloated o’er,
But whose velvet-violet lining with the lamp-light gloating o’er,
            She shall press, ah, nevermore!

    Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
    “Wretch,” I cried, “thy God hath lent thee—by these angels he hath sent thee
    Respite—respite and nepenthe from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
    Desolate yet all undaunted, on this desert land enchanted—
    On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!”
            Quoth the Raven “Nevermore.”

    “Prophet!” said I, “thing of evil!—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
    Tell this soul with sorrow laden if, within the distant Aidenn,
    It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore.”
            Quoth the Raven “Nevermore.”


    “Be that word our sign of parting, bird or fiend!” I shrieked, upstarting—
“Get thee back into the tempest and the Night’s Plutonian shore!
    Leave no black plume as a token of that lie thy soul hath spoken!
    Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!”
            Quoth the Raven “Nevermore.”

    And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
    And his eyes have all the seeming of a demon’s that is dreaming,
    And the lamp-light o’er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
            Shall be lifted—nevermore!

Saturday, October 17, 2015

31 Days of Halloween: Halloween

Yesterday I said there were a couple of movies that actually scared me when I was a kid. John Carpenter's Halloween was one of them.

This is another movie that doesn't try to include any social commentary; there are no hidden messages or agendas here. The plot is simpicity itself. Fifteen years ago in a small midwestern town, a young boy, for reasons that are not explained in the film (more about that below) kills his sister with a large knife on Halloween night, seemingly without any sort of emotion. Fifteen years later, having been incarcerated in a maximum security psychiatric hospital, he escapes, and his psychiatrist (Dr. Loomis, played by Donald Pleasance) goes on the trail, trying to catch Michael while at the same time trying to convince the authorities just how dangerous he is. Michael, clad in anonymous blue coveralls and wearing a creepy blank mask, stalks the local teenagers and then goes on a killing spree while they are babysitting in various houses on Halloween night. As he tries to kill the last girl (Laurie, played by Jamie Lee Curtis in her first real acting role), Dr. Loomis finally catches up to him, puts a large number of bullets in him, and Laurie is ambulanced off to safety. The camera then turns back to where Michael's body fell... and it is no longer there.

There are a lot of things that make this one of the "perfect" horror films. The music, composed by John Carpenter as a money-saving feature because of the film's miniscule budget, is instantly memorable, sets the tension in the film to maximum, and yet doesn't seem to get in the way of the film itself. The low budget led to decisions that were originally made in the interests of cost-cutting, but in the end turned out to be just right for the artistic feel of the film. Notably, the lack of extras on the streets. While the three babysitters are walking to and from school, the streets are empty, adding subliminally to the feeling that they are already cut off from the rest of the world, and thus vulnerable. Most of the film is entirely mundane. We see them walking down the street, talking like any teens would talk, and yet we know that there's a killer stalking them. The music is always there in the background, ratcheting up the tension, and we are just waiting, waiting for the Bad Things to start happening.

Almost all of the actors are unknowns (even Jamie Lee Curtis, who comes from a famous Hollywood family, had only been in a handful of television shows before the film), adding to the small town, girl next door feel. Donald Pleasance was the only "big name" actor, and he gives a wonderfully creepy performance. When your doctor is doing everything he can to shoot you, know know something's wrong...

But what really makes this film is Michael Myers himself. He's a cipher, clad in coveralls and with a mask (the creepy blank face mask was, famously, a William Shatner mask from a local hardware store). He has no motive. He is just pure evil, killing for the sake of it. He has infininte patience, seemingly fooling all of the other doctors by pretending to be completely unresponsive for a decade and a half, just awaiting his opportunity to escape and go on a rampage. He drives himself forward through sheer force of will; he's not some musclebound superman, but just an ordinary mortal who is simply so driven in his mission to kill that he overcomes being stabbed, shot, tossed off roofs, and more. This is a vital aspect of the films that I think is lost in the later sequels (where some sort of supernatural demonic-possession story is glossed onto the backstory) and in the recent remake (where Michael is presented as a very muscular and imposing physical figure).

And one of the most extraordinary things about this film is that is accomplishes its goals with almost no gore. No copious amounts of blood are needed. This film presents a perfectly reasonable mundane portrait of middle America and then puts in a mundane, non-supernatural peril. And the resulting suspense makes this a perfect horror film.

Friday, October 16, 2015

31 Days of Halloween: Vintage Postcards

Halloween has been around in the United States for more than a century, but it should come as no surprise that its commercialization has been around nearly as long. Here are some vintage postcards from the early 20th century. Some show some very interesting (and downright bizarre) visual associations, some should seem very familiar, and some show some odd superstitions associated with the day.



Oops! How'd this get in here?